By Stefan Zweig,Eden Paul,Cedar Paul
Adepts in Self-Portraiture examines the lives and paintings of 3 males who signify, in Zweig’s view, 3 degrees of improvement in autobiographical writing. the 1st and most simple point is evinced by means of Giacomo Casanova, the Venetian womanizer who files his sexual and social conquests, adventures and escapes, with no trying to learn or maybe give some thought to them. the second one point of self-portraiture is exemplified by way of Stendhal, the French pioneer of mental fiction, who stored voluminous notebooks on his personal adventure of lifestyles and on whom no nuance of feeling turns out to were misplaced. Russian grasp Leo Tolstoy represents the 3rd and optimum point of autobiographical writing during which the mental is imbued with the non secular and ethical.
In Adepts, Stefan Zweig examines the impulses that provide upward push to existence writing and anticipates the present approval for the memoir form.
(Cover: Self-Portrait via Susan Erony, oil, acrylic, burnt paper on canvas, 2000, 24" x 18", assortment Cape Ann Museum)
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Extra info for Adepts in Self-Portraiture: Casanova, Stendhal, Tolstoy
Adepts in Self-Portraiture: Casanova, Stendhal, Tolstoy by Stefan Zweig,Eden Paul,Cedar Paul